Openings - production still (work in progress) 2020

Openings - production still (work in progress), 2020 - Present.

Direction, cinematography and montage by Nathaniel.le Hendrickson

Chroniques du bout de la rue. Image: “Meta” production still from first video essay Liège - Paris, (work in progress) 2019.

Chroniques du bout de la rue. Image: “Meta” production still from first video essay Liège - Paris, 2019.

Cinematography by Nathaniel.le Hendrickson.

La Breche - Isis Underwater. A watery sensation in the interstice of day and night. Somewhere between night and dawn. Venice and it’s dead. (2019)

La Breche - Isis Underwater. A watery sensation in the interstice of day and night. Somewhere between night and dawn. Venice and it’s dead, 2019.

Cinematography and co-direction by Nathaniel.le Hendrickson.

Untitled feature length documentary in progress focusing on the housing crisis in Europe. Production still. (2019)

Untitled feature length documentary in progress focusing on the housing crisis in Europe. Production still, 2019.

Cinematography by Nathaniel.le Hendrickson.

ABOUT US

We started making drawings and videos together when we first met in Turkey in the Summer of 2019. What brought us even closer, at the beginning, was the sting of a scorpion on Freychet’s left foot on one of our first meetings. From that moment on, our collective work has focused on the boundaries between everyday life, personal experience, overheard conversations, and the moments, like flashes of insight, where we feel that we are part of something greater than ourselves.

 
Camille Freychet Headshot.jpeg

Camille Freychet

Camille Freychet is a French actress and prop set designer and documentary filmmaker born in 1989 in Grenoble. She has been living in Liège (Belgium) for 5 years. After growing up in the Paris region, she devoted herself to studying cinema. In 2012, she graduated from La Sorbonne-Paris with a Professional Master in Audiovisual Arts (screenplay, production & post-production) with a Documentary specialization. She has a particular interest in filming, recording and drawing the people she meets on her way, and finds, with finesse, a path to their intimate stories. At the same time, she works as a prop master for theater and cinema. In 2015, she entered the ESACT (Royal Conservatory of Dramatic Art in Liège - Belgium) and graduated (with distinction) in 2019. During these four years, she also followed the teaching of Life Art Process, which combines multiple mediums to facilitate healing from trauma, including: dance, writing, drawing, filming. Today she plays in theater and cinema. She is currently in the development stages of two feature length documentaries