THE MOST BEAUTIFUL ANIMALS
A deferred masterpiece, the power of slowness. A derive, a heaviness, or better a density of time, that gives this effect of light heaviness. A wandering around. Aionic cinema… cataionic cinema… and and a sacred hunt for the arche-images in the enchanted forest. Arche-bodies in search of arche-immanence. Antagony, huntagony, hauntagony… Panic hauntagonism. A time-machine for aionic hunts of cataionic events. An intense performance of a pack of artists from different parts of the world unknown to each other has proved their ability to improvise a movie-performance where the acting, the shooting, the costumes, the locations, the characters, the scenography and the sense of the story unfolded in a single magic synchronism during a prodigious day of summer in the Finnish forest. Rewriting chaosmology for the anthropocene. Text adapted from Don DeLillo’s book about cryogenics. This film was written and directed by Gianluigi Biagini and Nathaniel Hendrickson. Copyright Romantic Melting Pot 2018. Director of Photography Jun Yong Lee. Featuring performances by Suyeon Hwang, Hyunji Park, Maija Kivi Nathan Hendrickson and Gianluigi. Initial project funded by the Kone Foundation and Saari Residence 2018. Edited by Nathaniel Hendrickson.